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2019
      
Hand knitted surface 7, 40x50cm hand-knitted wool on wooden frame




Double stretching #2, 30x40cm Shetland wool stretched on frame




Double stretching #3, 24x30cm stretched yarn and tape on frame




White knittings, 35x40cm hand-knitted mixed yarn with gradient




Pre-stretched #4, 30x33cm hand-knitted yarn with pen support




Pre-stretched #3, 50x75cm hand-knitted acrylic yarn / no stretcher





Soft polka dot / white, 24x33cm hand-crocheted acrylic yarn on frame




Volume surface / variation #3, 15x21cm paper and acrylic yarn




Reversed depth surface / green, 40x50cm fabric on wooden frame




Cartouche 2, 18x24 cm paper tape on wooden panel




Studio view




Reversed Volumesurface 1, 18x24cm canvas




Transparent depth surface, 24x30cm fusible interface on frame




Weak painting 4, 24x30cm glue and fusible interface on wooden frame




Variation #2 on Tdc, 24x30cm invisible tape on wooden panel




Nobody Knows, overview Asphodel Gallery, New York (usa)





Flat files - white #4 (18/19) 28x29cm acrylic on tracing paper





Density #2, 35x45cm quilting filler / no stretcher




Nobody Knows, 25x25cm photo mounted on dibond - edition 15




Yellow Volumesurface, 15x20cm folded sand paper




Pink surface #3, 50x50cm acrylic paint on canvas




Yellow Depthsurface, 18x24cm emulsioin and acrylic on canvas




Pink Grid, 21x29cm layers silkscreen on laser sheet
edition of 5 unique works - with Studio Onvervalst, Haarlem (nl)




Doubled Grid Series, 21x29cm layered silkscreens on laser sheets
edition of 5 unique works - with Studio Onvervalst, Haarlem (nl)




It's a Small World After All, Sebastian Fath Contemporary, Mannheim




Transparancy density 14, 24x30cm tape on frame
I Want You, Bouwput Gallery, Amsterdam - front: Just Quist




Pre-stretched #6, 170x200cm isolation sheets / no stretcher




Study for Brooklyn, 120x130cm fabric / no stretcher
right: Sander Reijgers







Multiple / edition for Museum Schunck (nl)
edition of 25, 10x15 each, various materials



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